September 10 - December 6 (closed October 17 & November 26 -29)
Gallery Hours: Monday - Saturday, 11 a.m. - 4 p.m.
Opening reception Wednesday, September 10, 7:30 p.m.

On View: September 12 - December 6 (closed Oct. 17 & Nov. 25 - 29)
Gallery Hours: Tuesday - Saturday, 11 a.m. - 8 p.m.

Baltimore, MD – Make Studio is excited to announce the highlight of our fall programming season, the 8th installment of Cordially Invited! Cordially Invited is our annual invitational exhibition featuring artworks created in innovative U.S. and international studios serving disabled artists.

Growing up under the rapid synchronized development of the internet and the climate crisis, impermanence has dictated our lives. As witnesses of industrialization’s indefinite expansion, we wonder how to root ourselves in a foundation that bears constant extraction, extinction, and exploitation. We ground ourselves in the cultivating of homes, in remembering what was and fostering what could be. What if we stick our hands in the soil? What if we shape the air? Blow the dust off of our fingertips? What if we let things get dirty?

Can the Earth afford our dream of living?

On View: October 24 - December 6 (closed November 25 - 29)
Gallery Hours: Tuesday - Saturday, 11 a.m. - 8 p.m.
Reception October 23 following 6:30 p.m. lecture.
Artist talk October 29 at 12 noon in the Holtzman MFA Gallery

Enjoy the works of Alexis Ibry and Zachary Diaz.

UMBC's Albin O. Kuhn Library Gallery presents the exhibition Picturing Mobility: Black Tourism and Leisure during the Jim Crow Era, on display from September 2 through December 19.

A juried exhibition of nearly 100 watercolor and aqueous media paintings presented by the Baltimore Watercolor Society from October 10, 2025 to January 11, 2026. The FREE exhibition is at two neighboring locations, Kentlands Mansion and the Arts Barn in Gaithersburg, MD. The two buildings have different hours; both are open Tuesday-Friday 1-4 p.m.

Join us for a compelling virtual conversation with pilot, artist and historian Brian Hope and maritime historian Pete Lesher, moderated by Kate Livie, Chesapeake writer and educator. This engaging discussion will explore the evolution of Maryland’s pilotage profession—from the rigorous apprenticeship process and modern-day challenges to its deep roots in the age of sail.

More than 50 works on paper investigate how artists working in Europe and French-occupied northern Africa watched and participated as nature became a resource for people to hoard or share.

Drawn from the BMA’s George A. Lucas Collection, this exhibition of 19th-century art foregrounds the many ways that human relationships, including imperialism and capitalism, affect the environment. Deconstructing Nature is organized thematically, focusing on five environments and the ways artists explored them in their work: The Desert, The Forest, The Field, The City, and The Studio.

In this focus exhibition of approximately 20 photographs, prints, drawings, and textiles, the natural environment is a source of creative inspiration worth celebrating and protecting.