Ever imagined a quiet space that embraces tranquility, thought, and deep breathing? Visit Sid Yoga Center’s Meditation Space. If you’re new to Sig Yoga Center and or yoga, this is a great opportunity to check out our studio and to get a feel for our Nahi Warrior practices, Power Yoga, and Restorative and Renewing classes.
Crickets is a fun, play-based music and movement class for boys and girls ages 4 to 6. Trained teachers engage the body and the mind in joyful music-making through musical games and movement. Offered by Children’s Chorus of Maryland and School of Music (CCM), Crickets gently encourages young children to explore the voice as their first true instrument. Classes start Saturday, September 21st, 2019 starting at 9AM or 10AM in Towson. Classes are 50 minutes long, meet once a week, and last for 10 weeks. The tuition for the fall session costs $200.
Do you know a child who loves to sing? Children’s Chorus of Maryland (CCM) will hold auditions on August 27th, 28th, & 29th and September 5th in Towson for children as young as 5 ½ who are interested in participating in an exciting choral performance program. CCM features highly qualified teachers, small classes and in-depth vocal enrichment to provide children with a complete musical education and choral experience. Previous singing experience is not necessary! Register online at www.ccmsings.org.
Party like it’s 1599! Join fellow Shakespeare fans for an evening of Elizabethan delights. Enjoy themed food and drink, carnivalesque entertainment, and silent auction while celebrating the inauguration of BSF’s one-of-a-kind early modern stage in the heart of Hampden. Guests are encouraged to dress in black tie or their Elizabethan finest. Gala: 7-10pm; Afterparty and Bawdy Good Fun: 9pm-Midnight. Proceeds to benefit BSF’s ongoing programs in Baltimore City.
Baltimoreans celebrated atop Federal Hill when we ratified the U.S. Constitution. We used it to defend the city from the British in the War of 1812 and to make sure we stayed in the Union in the Civil War. We have even tunneled under it to quarry minerals. Join us on a tour of Federal Hill and the neighborhood around it to learn about this waterfront community’s rich history, including stops at one of the last wooden houses in the city, the oldest house in Federal Hill, and the wonderful alley houses along Churchill Street.
Every Day: Selections from the Collection is the BMA’s first reinstallation of its contemporary collection centered on black artistic imagination. Nearly 50 works of painting, sculpture, video, printmaking, and photography from the BMA’s permanent collection, alongside a select group of loans primarily from the celebrated Pamela J. Joyner and Alfred J. Giuffrida Collection, foreground the critical contributions black artists have made to postwar visual art.
MacArthur award-winning artist and Baltimore icon Joyce J. Scott’s earliest art lessons were at the knee of her mother, the renowned fiber artist Elizabeth Talford Scott. The eldest Scott passed down to her daughter knowledge inherited from generations of craftspeople in their family who had honed their expertise and persisted in their artistry through the extreme deprivations of slavery and its aftermath in sharecropping, migration, and segregation. “They couldn’t buy things,” Joyce J. Scott recounts, “so they made things.
Projected lights, sounds, and reflective surfaces convey a sense of flowing water in Oletha DeVane’s installation, Traces of the Spirit, presented inside the BMA’s Spring House. The exhibition references the building’s past as a dairy and place where enslaved people were forced to labor and creates an altar-like location for a selection of the artist’s spirit sculptures. For these totem-like objects, DeVane (American, b.
Beauty stops us in our tracks. It makes us pause, look, consider. Sometimes it overwhelms us. We are often told art should aspire to this standard and be proportionate, symmetrical, naturalistic, and orderly. But what of work that is designed to revolt and terrify? Across subSaharan Africa, artists working across a range of states, societies, and cultures deliberately created artwork that violated conceptions of beauty, symmetry, and grace—both ours and theirs. Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c.1880-c.
For more than 30 years, New Orleans-natives Keith Calhoun (b. 1955) and Chandra McCormick (b. 1957) have been documenting life in the Louisiana State Penitentiary at Angola. Known as “The Farm,” the prison was founded on the consolidated land of several cotton and sugarcane plantations. Slavery, The Prison Industrial Complex includes poignant photographs and videos that record the exploitation of men incarcerated in the maximum-security prison farm while also showcasing their humanity and individual narratives.
In the fall of 2018, the BMA’s oldest friends group, the Print, Drawing & Photograph Society (PDPS), will celebrate its 50th anniversary by sponsoring an exhibition to highlight a selection of late 19th-century, modern, and contemporary works on paper that PDPS has helped the BMA acquire over the years. Installed in a gallery adjacent to the Cone Collection, this one-gallery exhibition will be organized in two six-month presentations, each including 20–30 prints, drawings, and artists’ books.
Enter a wonderland of airy horses, birds, and sea creatures appearing to fly, swim, run and swirl. Sayaka Kajita Ganz creates sculptures from reclaimed plastic objects, arranging the fragments of waste into fluid images of birds and animals that appear to be created from brush strokes. The artist states, “My work is about perceiving harmony, even in situations that appear chaotic from the inside,” and notes that her work is inspired by “Shinto animist belief that all things in the world have spirits.”
The Moment Was Now is a new musical play that takes place in post-civil war Baltimore in 1869, a turning point in US history where America almost did the right thing. Echoing the current moment, the play centers around the impassioned search for unity between the dynamic historic leaders of powerful constituencies during Reconstruction. The conflicts and possibilities unfold at a fictional meeting convened by Frederick Douglass and are elevated by the musical and spoken word format. Hope hangs in the balance at this most unusual gathering of suffragette, abolitionist Susan B.
Never taken an improv class before? Well now is your chance to try it out with experienced BIG instructors!
This introductory workshop is designed to give potential students an opportunity to experience what a class is like before committing to a full course.
Through simple, fun and supportive games, participants will explore basic concepts like playfulness, listening and agreement – all in a safe and comfortable group setting geared specifically toward those who are new to improv.
Traveling from their home in Southern California, Jack & the Vox return to Baltimore for one night, on their way to the CT Ukulele Festival and then Europe! The husband-wife-duo, met at the Berklee College of Music in 1998 (where they both studied Songwriting), but only recently married in 2016. Victoria Vox, who was a Baltimore resident for 11 years, is an award-winning songwriter known for toting her ukulele around the world at festivals, clubs, and performing house concerts. Jack has childhood roots to St. Louis, but grew up in California since a young teen.
In honor of the 50th anniversary of the Apollo 11 moon landing, the National Electronics Museum is hosting a temporary exhibit, "The Pace Collection: Unique and Rarely Seen NASA Apollo Mission Hardware". The exhibit features an eclectic mix of artifacts from a private collection. Don’t forget the Museum also has on permanent display the Westinghouse Apollo XI lunar TV camera. The exhibit is free with paid museum admission. Open 10 July through 15 October 2019.
UMBC's Albin O. Kuhn Library Gallery presents Experimentalist: The Art of Robert W. Fichter, the first retrospective of the artist’s career in over thirty years. Drawn from his archive at UMBC, the 55 works in this exhibition created between 1962 and 2006 highlight Fichter’s exploration of the human condition across photography, printmaking, and painting. Fichter employs shifting moods and mediums as well as wit, humor, and satire to deliver trenchant critiques of war, nuclear proliferation, and environmental disaster.
UMBC's Center for Art, Design and Visual Culture (CADVC) presents Spectrum: 2019 Visual Arts Faculty Exhibition, featuring artworks by Dan Bailey, Steve Bradley, Cathy Cook, Jules Rosskam,Evan Tedlock, and Vin Grabill. Spectrumprovides an in-depth exploration of recent research projects in film, video, photography, sound, installation, and sculpture by selected members of UMBC’s Department of Visual Arts.
Brian Kuebler will be in conversation with Ed Slattery.