Ever imagined a quiet space that embraces tranquility, thought, and deep breathing? Visit Sid Yoga Center’s Meditation Space. If you’re new to Sig Yoga Center and or yoga, this is a great opportunity to check out our studio and to get a feel for our Nahi Warrior practices, Power Yoga, and Restorative and Renewing classes.
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Crickets is a fun, play-based music and movement class for boys and girls ages 4 to 6. Trained teachers engage the body and the mind in joyful music-making through musical games and movement. Offered by Children’s Chorus of Maryland and School of Music (CCM), Crickets gently encourages young children to explore the voice as their first true instrument. Classes start Saturday, September 21st, 2019 starting at 9AM or 10AM in Towson. Classes are 50 minutes long, meet once a week, and last for 10 weeks. The tuition for the fall session costs $200.
Do you know a child who loves to sing? Children’s Chorus of Maryland (CCM) will hold auditions on August 27th, 28th, & 29th and September 5th in Towson for children as young as 5 ½ who are interested in participating in an exciting choral performance program. CCM features highly qualified teachers, small classes and in-depth vocal enrichment to provide children with a complete musical education and choral experience. Previous singing experience is not necessary! Register online at www.ccmsings.org.
People, Land and Spirit: A Celebration of the African and Caribbean Diaspora
Curated by Denee Barr with Zoey Howell-Brown
Nancy by Snac Cafe Gallery @ MICA Fred Lazurus IV Graduate Center
131 West North Avenue, Baltimore, Maryland 21201
Friday, September 6, 2019 - Friday, October 4, 2019 ~ 8 am - 3 pm
Opening Reception: Friday, September 6, 2019 ~ 5 pm - 7 pm
Artist Talk* : Friday, September 27, 2019 ~ 9:30 am - 11:00 am
Artists Rebecca Bafford and Kini Collins present “Umbra”, a ceramic, sculptural, and installation-based exhibition concentrating on light, shadow, memory, and relics. Employing literal and metaphorical interpretations to address personal and cultural recollections, the artists question the veracity and validity of remembered thoughts, feelings and beliefs. The gallery is open in the Rouse Company Foundation Gallery and Richard B.
Party like it’s 1599! Join fellow Shakespeare fans for an evening of Elizabethan delights. Enjoy themed food and drink, carnivalesque entertainment, and silent auction while celebrating the inauguration of BSF’s one-of-a-kind early modern stage in the heart of Hampden. Guests are encouraged to dress in black tie or their Elizabethan finest. Gala: 7-10pm; Afterparty and Bawdy Good Fun: 9pm-Midnight. Proceeds to benefit BSF’s ongoing programs in Baltimore City.
High Zero 2019
High Zero Foundation
September 19 – 22
High Zero is the premier festival of Improvised, Experimental music on the East Coast, being fully devoted to new collaborations between the most inspired improvisors from around the world. Celebrating its 21st year, High Zero is THE annual international improvisational avant-garde music event that reaches all over town and around the world.
Baltimoreans celebrated atop Federal Hill when we ratified the U.S. Constitution. We used it to defend the city from the British in the War of 1812 and to make sure we stayed in the Union in the Civil War. We have even tunneled under it to quarry minerals. Join us on a tour of Federal Hill and the neighborhood around it to learn about this waterfront community’s rich history, including stops at one of the last wooden houses in the city, the oldest house in Federal Hill, and the wonderful alley houses along Churchill Street.
Beauty stops us in our tracks. It makes us pause, look, consider. Sometimes it overwhelms us. We are often told art should aspire to this standard and be proportionate, symmetrical, naturalistic, and orderly. But what of work that is designed to revolt and terrify? Across subSaharan Africa, artists working across a range of states, societies, and cultures deliberately created artwork that violated conceptions of beauty, symmetry, and grace—both ours and theirs. Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c.1880-c.
e of the most exceptional collections of Asian art in North America takes center stage on Sunday, October 1, when the Walters Art Museum opens its new installation Arts of Asia. The dramatic display offers a rich exploration of artistic traditions from diverse cultures and regions across India, Nepal, Tibet, China, Korea, Japan, Myanmar, Thailand and Cambodia. The stunning array of more than 150 works spanning 2,000 years includes 30 objects that have never been on view.
For more than 30 years, New Orleans-natives Keith Calhoun (b. 1955) and Chandra McCormick (b. 1957) have been documenting life in the Louisiana State Penitentiary at Angola. Known as “The Farm,” the prison was founded on the consolidated land of several cotton and sugarcane plantations. Slavery, The Prison Industrial Complex includes poignant photographs and videos that record the exploitation of men incarcerated in the maximum-security prison farm while also showcasing their humanity and individual narratives.
Spencer Finch’s impressive light installation Moon Dust (Apollo 17), first presented at the 2009 Venice Biennale, will illuminate the BMA’s majestic Fox Court for the next seven years. The work consists of 150 individual chandeliers with 417 lights. The chandeliers are hung individually from the ceiling and form one large, cloud-like structure. Although an abstract sculpture, the installation is also a scientifically precise representation of the chemical composition of moon dust as it was gathered during the Apollo 17 mission.
Every Day: Selections from the Collection is the BMA’s first reinstallation of its contemporary collection centered on black artistic imagination. Nearly 50 works of painting, sculpture, video, printmaking, and photography from the BMA’s permanent collection, alongside a select group of loans primarily from the celebrated Pamela J. Joyner and Alfred J. Giuffrida Collection, foreground the critical contributions black artists have made to postwar visual art.
In the fall of 2018, the BMA’s oldest friends group, the Print, Drawing & Photograph Society (PDPS), will celebrate its 50th anniversary by sponsoring an exhibition to highlight a selection of late 19th-century, modern, and contemporary works on paper that PDPS has helped the BMA acquire over the years. Installed in a gallery adjacent to the Cone Collection, this one-gallery exhibition will be organized in two six-month presentations, each including 20–30 prints, drawings, and artists’ books.
MacArthur award-winning artist and Baltimore icon Joyce J. Scott’s earliest art lessons were at the knee of her mother, the renowned fiber artist Elizabeth Talford Scott. The eldest Scott passed down to her daughter knowledge inherited from generations of craftspeople in their family who had honed their expertise and persisted in their artistry through the extreme deprivations of slavery and its aftermath in sharecropping, migration, and segregation. “They couldn’t buy things,” Joyce J. Scott recounts, “so they made things.
Projected lights, sounds, and reflective surfaces convey a sense of flowing water in Oletha DeVane’s installation, Traces of the Spirit, presented inside the BMA’s Spring House. The exhibition references the building’s past as a dairy and place where enslaved people were forced to labor and creates an altar-like location for a selection of the artist’s spirit sculptures. For these totem-like objects, DeVane (American, b.
Enter a wonderland of airy horses, birds, and sea creatures appearing to fly, swim, run and swirl. Sayaka Kajita Ganz creates sculptures from reclaimed plastic objects, arranging the fragments of waste into fluid images of birds and animals that appear to be created from brush strokes. The artist states, “My work is about perceiving harmony, even in situations that appear chaotic from the inside,” and notes that her work is inspired by “Shinto animist belief that all things in the world have spirits.”
Join artists Danielle Durchslag and Ryan Frank, creators of A Wandering Sukkah, a colorful, skyscraper-inspired sukkah, as they share their experience bringing their project all across New York City in 2015. Why did this pair of artists (one Jewish, one not) create this project? How did NYC react to their journey? Find out as they share their stories, photos, and video from their Wandering Sukkah.