Thaddeus Mosley (b. 1926, Pennsylvania) transforms wood into inventive abstract forms that source inspiration from the art of the African diaspora, jazz, and the European modernist avant-garde. Using only a mallet, chisel, and masterful joinery techniques, Mosley, largely self-taught, reworks felled timber from local sawmills into monumental biomorphic expressions inspired by ancient and modern cultures from around the world.
This exhibition explores the 43-year friendship between artist Henri Matisse (1869-1954) and Baltimore collector Etta Cone (1870-1949). More than 160 paintings, sculptures, prints, drawings, and illustrated books will provide new insights into the formation of the renowned Cone Collection, one of the greatest collections of modern art in the United States.
Women who rebelled against sexist social rules have been trivialized and controlled for centuries. Portrayed according to stereotypes or vilified, women acting on their own behalf have been undermined consistently by their representation in Western art. Spanning the Renaissance to the progressive social movements of the 19th and early 20th centuries, this exhibition links heroines of the past with modern trailblazers, celebrating women throughout history who broke rules, transgressed boundaries, and insisted upon recognition of their human rights.
Mickalene Thomas’ immersive two-story installation transforms the BMA’s East Lobby into a living room for Baltimore reflective of Thomas’ signature aesthetic influenced by 1970s and 1980s motifs. The experience–the most expansive commission undertaken by both the artist and the BMA—extends onto an enclosed terrace, where Thomas has curated a presentation of works by artists with ties to Baltimore. Featured artists include: Derrick Adams, Zoë Charlton Theresa Chromati, Alex Dukes, Dominiqua S. Eldridge, Devin N. Morris, Clifford Owens, and D’Metrius John Rice.
Adelyn Breeskin: Curating a Legacy explores Adelyn Breeskin and her extraordinary career as BMA Director from 1942-1962 through archival materials and examples of the beloved works the Museum acquired under her curatorial vision and leadership. Throughout her 32-year career at the Museum, beginning with her tenure as the BMA’s first curator of prints in 1930 and, later, the museum director, Breeskin secured the renowned Cone Collection for the BMA and accomplished countless other achievements, including commissioning the U.S. Pavilion for the 1960 Venice Biennale.
This exhibition explores the 43-year friendship between artist Henri Matisse (1869-1954) and Baltimore collector Etta Cone (1870-1949). More than 160 paintings, sculptures, prints, drawings, and illustrated books provide new insights into the formation of the renowned Cone Collection, one of the greatest collections of modern art in the United States.
Please note that purchasing a ticket to see this exhibition will also act as your timed-entry pass for the Museum’s galleries. You do not need to reserve a separate timed entry pass in order to visit.
This virtual discussion will explore the historical and contemporary perspectives on witchcraft, archetypes of femininity, and their relationship to contemporary culture. Joining the discussion are Awo Faleyewa, Chief Olumo Ifa Priestess and Elder mother of Ile Ofo Ase Iyaami Oshorunga; Robin Morgan, poet, author, and social justice activist; and Hannah Segrave, historian and lecturer of Italian Studies at The Ohio State University. The talk will be moderated by Dr.
Join us at the Baltimore Museum of Art for an evening inspired by Juan Gris, a pioneering and revolutionary contributor to the Cubist movement.
The program begins with a performance by PostClassical Ensemble, produced in collaboration with the Cultural Office of the Embassy of Spain and conducted by music director Angel Gil-Ordóñez. After the performance, take a deep dive into several of Gris’ works through a dynamically illustrated lecture by Dr. Harry Cooper, senior curator and head of modern art at the National Gallery of Art in DC.
New works by Lauren Frances Adams, Mequitta Ahuja, Cindy Cheng, and LaToya Hobbs—all past recipients of Joan Mitchell Foundation recognition with connections to Baltimore—emphasize the importance of continued support for artists at all stages in their careers. Whether through the shifting boundaries between self and other, contemplations about the cycles of life, or provocations to the public about shared histories, each artist engages deeply with vital aspects of contemporary culture.
Suzanne F. Cohen’s (1935–2018) extraordinary leadership and enduring support for the BMA touched every area of the Museum. In addition to chairing the Board and numerous Trustee committees, Cohen helped establish an endowment for free admission and funded many exhibitions, commissions, restorations, public programs, and gifts of art.