The exhibition consists of a series of installations and sculptures that speak to memory, identity and loss. Using figurative realism and abstraction, I am capturing snapshots of moments with psychological charge and dreamlike narratives. This work is a result of the process of trying to find joy and succumbing to sorrow in the present moment, processing memory and spirituality in the context of bereavement, and the engagement with the physicality of clay as a mode of processing.
Working with porcelain and multiple surface techniques, Piccoli’s elegant vessels channel realms of mystery and myth as he draws from ancient forms to create his ritualistic wares. Inspired by the past with contemporary perspective, he envisions adventures with rich rewards at their end. His work is an amalgamation of fragments of architectural facades and spires, hidden glens and rocky crags, potion jars and seductive ewers. The title references the boons bestowed when goals are met on a metaphorical or literal journey.
NOT REALLY NOW NOT ANYMORE
Clarissa Pezone, 2021-2022 Lormina Salter Fellow's potent installations of ceramic figures and found objects seek to distill memory, identity and loss, where clay serves an important function in translating that bereavement. These intimate vignettes offer glimpses into an emotional and spiritual snapshot of stagnation and healing.
Junk in the Trunk is a multi-media multi-medium show featuring artists who work with any and all materials. From video, clay, to glitter and everything in-between! Craft often lives on the edges of the fine arts and multi-medium/media artists will even be on the outskirts of the outskirts. This show is a celebration of artists who live in that borderland. The queer, the othered, the funk, and the sub-cultured. These artists love material but will not care to “blasphemously” glue rhinestones to that dance.
This exhibition showcases William Cordova’s on the lower frequencies i speak 4 u (2019), a remarkably complex work that originates from the Peruvian American artist’s research into individuals, places, and narratives significant to the Civil Rights Movement that intersect with contemporary social and musical history.
Organized by Carnegie Museum of Art, this exhibition debuts a recent body of work by New York-based artist Elle Pérez.
Including 13 photographs created between 2019 and 2021, Devotions explores relationship building, creating space to reflect on how we navigate ourselves in relation to others and the world. Pérez’s carefully sequenced images dwell in moments of grief and care, pain and pleasure, desire and self-exploration. Amidst recurring motifs of water, touch, and BDSM are also striking choices in proximity, scale, color, and light.
Salman Toor: No Ordinary Love will feature more than 45 paintings and works on paper made between 2019 and 2022, that weave together motifs found in historical paintings with recognizable 21st-century moments to create new worlds based in Toor’s imagination. Among the works are several made especially for the exhibition and inspired by paintings in the BMA’s renowned 17th- to 19th-century European collection, such as Sir Anthony van Dyck’s Rinaldo and Armida (1629).
Explore five centuries of the artifice of identity— from the splendid metamorphoses of classical myths to the posturing and bodily reinvention of contemporary drag culture. Shapeshifting includes approximately 50 prints, drawings, photographs, and artists’ books from the BMA’s collection that explore transformation and masquerade as recurring themes of artistic imagination across time and place.
Beatrice Glow is a New York- and Bay Area-based multi-sensory and interdisciplinary artist whose work explores the social history of plants. For her first exhibition in a major U.S. museum, Glow delves into the unseen and unsavory sociohistorical and ecological realities underlying the tobacco industry’s veneer of luxury through her digitally printed and embroidered silk textiles, VR-sculpted and 3D-printed objects, watercolors, and scent experiences.
UMBC's Center for Art, Design and Visual Culture presents Oletha DeVane: Spectrum of Light and Spirit, on display from September 22 through December 17.
Featuring nearly 100 artworks, the exhibition is the first retrospective of celebrated Maryland artist Oletha DeVane, and traces the artist’s extensive career, from her early paintings and works on paper to video artworks and interactive sculpture, including works on view for the first time.
Somewhere Between Chaos and Silence reveals the visceral experience of human emotions caught in the flux of conflict, confusion and duality. Constant struggles of the self are physically manifested in an outward surreal and abstracted melding of the body and a soul overcome. We coexist with the haunting growths of our turmoil worn as skin, that which is meant for protection also records our pain.
Join us for the final Art Walk of 2022, an evening of simultaneous, exhibitions, performances, and special events in the Station North Arts District. Pick up a map at the Charles Theatre lobby and create your own self-guided tour.
The event is free, we just ask that you register for a ticket so we can track attendance, and share email updates and specials.
This year marks twenty years of Station North, and we're celebrating all summer long on the final Friday of each month. Our September Art Walk is district-wide, featuring 20+ venues. Stay tuned for more information.
Evergreen’s new major exhibition, A History of Houseplants, explores the forces that sparked the Victorian obsession with houseplants, reveals how the trend manifested at Evergreen and in Baltimore, and examines how today’s houseplant enthusiasts both recall and differ from the Victorians of 150 years ago.
On view October 1, 2022-June 4, 2023. Gallery open Tuesday-Sunday, 11 a.m.-4p.m. Closed Mondays, Thanksgiving, Black Friday, Christmas Eve, Christmas, New Year's Eve, and New Year's Day.
Admission is FREE and no advance registration is necessary.
In 2017 the Johns Hopkins Sheridan Libraries began building the world’s most comprehensive collection of rare books, manuscripts, and ephemera detailing the experiences of early modern women from the Renaissance to the Enlightenment.
Blacklist: The Hollywood Red Scare is an exhibit telling the story of the Cold War in Hollywood. It brings the history of the Cold War to life through personal narratives of blacklisted people, members of the House Un-American Activities Committee, and film executives, telling the stories of people on both sides of the Communist/anti-Communist divide. The exhibit features film stills, photographs, movie posters, documents, and more, and explores the intersection of politics, popular culture, economics, and the First Amendment.